Useful links for the stressed writer!

I’m extremely busy at the moment, working on my own stories, editing my own work, editing friends’ work and studying for upcoming tests… but what I’m doing in between all of this is a ridiculous amount of research about the writing world. Since I came across so many great sites during my adventures, I thought it might be good to share them with you, since you might find them useful, too!small

Clever Girl Helps – For all your reference help and advice! Possibly the easiest and most comprehensive tumblr writing blog I’ve ever found. You can ask things, but you’ll probably find all of your answers somewhere in their tags. I think I’m writing most of my novel thanks to this blog.

Cathy’s Comps and Calls – I’m poor and not really earning any money right now, so finding writing contests worth my while that don’t require an entry fee is tedious work. Thankfully, this wonderful person compiles writing competitions and calls for submissions by deadline–and they’re all free!

Tip of my Tongue – You’ve probably heard of this one already, but it’s great to have when you can think of the definition but are having a hard time coming up with the actual word.

Writing With Color – I literally just found this a few hours ago, but it’s a great blog for advice writing characters of color. In my opinion, no matter what your character’s ethnicity is, you should really read at least a few of their posts. They’re great.

Writing Contests – Another well-organized list of contests that you can filter through tags according to what you’re looking for!

The Review Review – Okay, so I haven’t had the time to go through everything, but the two articles I did read are extremely useful to me when it comes to submitting work to literary magazines and trying to understand what editors are looking for.

Have you discovered any other great sites lately that might help us tackle the challenges of the writing life? Please share them with the rest of us in the comments!

*and do I know why there’s a rat on that pile of books? No, I don’t, but I suppose he’s an intellectual rat.


Writing diversity without propagating oppression

I was shocked when I realized that my FMC was, in my head, a young, Caucasian, blonde girl with a slender body. The main underlying theme of my novel is about prejudice and oppression! It’s amazing how the media brainwashes us to immediately think of that sort of character in a leading role.

I’m appalled at my own reaction to this realization. When I realized what my mind had voiced, I immediately started trying to justify my FMC’s whiteness “it would be too complicated to make her of any other race”. Then I thought “I can just make one of the side characters of another race.”

Yes. I, Nasim Mansuri, a mix of South American, Persian and ‘American’ blood, am scared to make my characters diverse because it would be too complicated.

And obviously this wasn’t a conscious attitude; as soon as my brain was able to coherently form those thoughts I just knew I had to make my FMC something other than white. Because if I’m having these subconscious attitudes towards diversity in media, then imagine how ingrained it must be in our culture!

It made me remember something I read about in tumblr some months ago, about the Netflix show Orange is the New Black. I don’t actually watch this show, but tumblr was quoting Jenji Kohan, the creator, on why the FMC in that show is white:

“You’re not going to go into a network and sell a show on really fascinating tales of black women, and Latina women, and old women and criminals. But if you take this white girl, this sort of fish out of water, and you follow her in, you can then expand your world and tell all of those other stories. But it’s a hard sell to just go in and try to sell those stories initially. The girl next door, the cool blonde, is a very easy access point, and it’s relatable for a lot of audiences and a lot of networks looking for a certain demographic. It’s useful.”

I’m not even going to start on the complexities of our society and why it was necessary for Kohan to need a ‘Trojan Horse’ to get her story across to her audience. But the fact that it’s necessary is sad.

And why? Why is my gut reaction to shy away from writing a character that is anything other than white, because I think she’ll be difficult to write? I’m a complete collage of races; I should know that this isn’t difficult at all, especially with the knowledge and resources I do have thanks to my background.

Looking at my reluctance to write an African American or Asian FMC, though, I partially understand. I don’t think I would dare to write a character from a culture so different from my own without the appropriate research. I’m terribly afraid of not accurately portraying the character and her family. And I don’t think that just Googling stuff is enough research in this case. We’re all still ignorant about so many cultures even though we often interact with them every day. And a poorly written PoC character can certainly cause more harm than good; the last thing I ever want to do is end up propagating the same stereotypes that ignorance and racism have been shoving in our faces for centuries.

So instead, I’m going to do a bit more research and create a mixed-race character. Hopefully my grandma will be able to share her experience as a Latina girl in the 1950s, and I’ll be able to touch on more of the prejudices that existed during that time.

I’m sick of only reading books with Latinas as main characters that solely revolve around the fact that they’re from Mexico/Cuba/etc. So I’m going to write a funny, kinda crazy Science Fiction novel with a possibly half-Ecuadorian (?) girl who has to solve a mystery and the plot doesn’t center on her heritage, even though she does suffer prejudice because of it and it’s one of those subtly dystopian things. Because we need to become used to the idea that main characters with diverse backgrounds are normal.

And I’m sure there are books out there with mixed-race main characters that have a plot that revolves around something other than their heritage, but frankly, I can’t think of one (I know many people envisioned Katniss from The Hunger Games as a Native American, which I think is awesome, but sadly since that was never explicitly stated… yeah, my brain immediately imagined her white. Hollywood I hate you), and I think that’s evidence enough of the fact that there simply aren’t enough novels like that. If there were more of them, I would have stumbled upon them and I wouldn’t have to be perplexed at the way my brain works right now.

I’m hoping that  I’m not more ignorant than I’ve already discovered I am, and I hope I haven’t offended anyone with said ignorance.

What’s your experience writing diverse characters? Do you have any good books to recommend that have a plot that doesn’t solely revolve around a PoC MC’s heritage?

If you’re looking for helpful resources when it comes to writing diversity in fiction, this thread is amazing and covers so much.

Also, in case you’re like me and spent years trying to find out what these acronyms are… MC: Main Character, FMC: Female Main Character, PoC: Person of Color (yes I know most people know this, but I didn’t until recently! PoC made me think ‘Pirates of the Caribbean, so I hope I can’t be the only one out there).

And a confession: I did kinda edit this post.